Ida Aniz (Düsseldorf, 1988) is a Berlin-based artist working across sculpture alongside digital media and AI-assisted processes. Her practice explores how hybrid visual systems between body and data as well as analog and algorithm can carry memory while embodying resistance and care. Much of her work addresses the politics of representation in the postdigital era through feminist and decolonial perspectives, investigating how code paired with color and form can question inherited power structures and propose new aesthetic vocabularies. Her artistic language resists singular definitions, using abstraction to map identity across political alongside emotional and technological territories. She views her work as soft resistance, creating spaces where ambiguity speaks and presence becomes political.