Obou Gbais is an Ivorian artist who’s works present us an intersection of tradition and contemporary life while evoking imagery and themes inspired by his personal history, cultural heritage, and the depth and complexities of humanity.
Do you remember the first time you created something? When did your artistic journey begin and what brought you to the art world? Share some highlights from your background?
It all started with a photo of myself that I had taken at a performance. That photo became the voice of the voiceless, and ever since then I was convinced that I could bring something to the world of art. I have been drawing since I was a little boy and my father was very traditional and culturally aware. For me, art is a form of cultural re-appropriation, a mission in life and, above all, a legacy from my ancestors. The most important event was the encounter and connection with the mask that I paint today and that defines me visually.
Let's discuss the fear of failure. How do you deal with it on your artistic journey and what helps you to pursue your dreams?
For me, fear is a motivating element on my path. I like setting new standards and, above all, leaving my comfort zone. I always have my sights set on getting to the top, so I like to dream big.
How would you describe your artistic style and the themes you explore? How has this evolved as you've grown as an artist? Share your thoughts on your artistic approach.
My work is a kind of diary in which I try to tell stories about myself and the people around me. My theme is the human condition, focusing on my culture and its masks. My practice is a kind of engaged poetry that challenges and seduces the viewer at the same time. I paint contemporary bodies and faces, but I also give a place to tradition. I see myself as a bridge between these two worlds. My work is evolving as each day can inspire a new series or color palette.
Let's talk about one of your artworks exhibited at NOTAGALLERY's "Gesunder Größenwahn" exhibition. Walk us through the process of creating it.
The Audacity Dan series is a triptych painted in acrylic on canvas. In this series of works I show a scene of black women all in bathing suits with geometric graphics on a large leather sofa. A strong presence of ladies in a composition of accumulation, often with intimate parts uncovered. These postures represent a form of resistance to the codes and prohibitions imposed by Old Dan society, which sidelined women in all mask practices. The expressions on the faces are quite striking and sometimes seductive.
How do you navigate the balance between chaos and order in your art?
The balance can be found in the current complexity of my theme. The mask that can no longer be found at celebrations or funerals. This mask is no longer locked away in museum showcases, but is brought to life and adapts to today's society.
If your art could have a conversation with the viewer, what would it say?
I am a contemporary painting inspired by the masks and bodies of Dan culture. I am a vibrant painting that deals with women, that speaks of equality and coexistence. My aim is to seduce you to know more about the origin of the mask I wear. I am like a bridge between two worlds, the traditional and the contemporary. The colors of my hair are an inspiration from the city where I was created.
Finally, we would love to hear some names! What other emerging artists inspire you and also deserve our attention?
